Zuffa Running UFC, WWE Playbook in
Attempt to Mainstream Boxing, Again

Ryan Garcia is set to defend his WBC welterweight title against Conor Benn on Saturday night in Las Vegas. The fight will stream on Paramount+ in the United States, LATAM, Canada, Australia, Brazil and Germany. DAZN has it in the UK, Ireland and a host of other international markets.

The event represents Zuffa’s first attempt at running its UFC and WWE promotional playbook on a tentpole boxing card built for its Paramount partnership. The strategy is to place the two fighters in front of a large number of casual sports fans (along with the existing boxing audience), introduce them to the athletes and storylines surrounding the fight and generate enough interest to drive mass tune-in on September 12.

The two fighters will appear on The Pat McAfee Show, First Take, The Tonight Show Starring Jimmy Fallon, Impaulsive (with Logan Paul), Club Shay Shay (with Shannon Sharpe), and All the Smoke this week.

Garcia-Benn also received promotion at Fanatics Fest, during the UFC 330 broadcast and in multiple recent episodes of Monday Night Raw on Netflix, as well as across WWE, UFC and Zuffa Boxing social channels, which collectively have more than one billion followers.

“A reasonable minimum performance benchmark for Garcia–Benn is a global Live+1 average-minute audience of at least 8 million viewers for the main event,” Patrick Crakes (founder, Crakes Media) said. “Averaging 10 million would represent a clear success, while averaging 20 million would be a massive result.”

For context, Canelo Alvarez vs. Terence Crawford, a Zuffa production done in coordination with Sela in September ‘25, reached an estimated 41.4 million viewers worldwide on a Live+1 basis. That fight aired on Netflix, which has north of 300mm global subscribers. Paramount+ reported having 81.6 million paid subs worldwide at the end of Q2.

Boxing has suffered through a decades-long decline in relevance outside of the sporadic marquee fight (think: Canelo/Crawford). Part of that reflects a broader shift in attention from individual to team sports. 

But boxing’s fragmented structure has compounded the problem. The best fights often fail to materialize —or materialize too late— because the two fighters reside under competing promotional banners.

And when boxing’s biggest fights have happened over the past 30+ years, they’ve occurred behind a pay-per-view paywall.

Zuffa’s approach runs counter to that model. Over the last 18+ months, the company has worked to bring as many of the sport’s top fighters and prospects —including Benn— as possible under its tent.

The logic is doing so will enable it to regularly match the best up against the best, create compelling storylines, and establish understandable title paths.

Zuffa currently has more than 100 fighters signed exclusively to the promotion. 

Although the ultimate goal is to build a self-contained operation, Garcia-Benn reflects the company’s willingness to step outside its tent to stage premium fights while still developing the roster. Garcia will have one more fight remaining on his Golden Boy Promotions contract after Saturday night’s bout.

Zuffa is also making its fights available on a more accessible platform: Paramount+. The bet is regularly delivering high-quality matchups to broader audiences and applying the UFC and WWE operational and promotional playbook will enable it to restore the sport to prominence and build a sustainable business.

It’s certainly possible, if not likely, that Zuffa Boxing succeeds financially before the sport returns to the mainstream. TKO’s proven business model can be implemented immediately. Building stars who resonate beyond the core audience typically takes time.

Media rights, ticketing, sponsorship and merchandise sales are UFC and WWE’s primary revenue streams. They will be for Zuffa Boxing too.

The promotion began a long-term media rights agreement with Paramount in January that makes Paramount+ its exclusive home in the United States. Zuffa Boxing committed to staging 12 events on the platform this year. There are plans to expand the schedule slightly in the years ahead (think: to 14 then 16).

While Paramount+ has not disclosed viewership figures for Zuffa Boxing’s first 10 events, the company is “encouraged” with the results thus far.

“We look at the property’s performance in its totality, which includes, for example, audience composition and engagement with other content on Paramount+,” Matt Kenny (Vice President, Programming, CBS Sports/Paramount) said.

The value of Zuffa Boxing’s deal with the streaming platform extends beyond the guaranteed revenue. Monthly programming gives it regular opportunities to introduce fighters and build audience familiarity with them.

As those fighters become more recognizable, the promotion should be able to convert the increased awareness and popularity into greater consumer spending.

Zuffa Boxing’s efforts to “galvanize the sport into a more holistic organized property [with a bit more consistency and reliability], where we can plan [and] innovate together, [enables us to] scale [together and do] some of the things that Fanatics does best,” Tucker Kain (Chief Strategy and Growth Officer, Fanatics Inc.) said.

The promotion will also receive invaluable cross-property exposure from Paramount, on and off-platform, and access to its existing sports audiences. Saturday night’s Noche UFC card, for example, will serve as a lead-in to Garcia–Benn. Viewers tuned in to the UFC event will see an end card prompting them to skip straight to the boxing match.

“We want to provide sports fans with big moments that matter,” Kenny said.

And the multi-year agreement with Paramount enables it to pursue sponsorship opportunities that have been largely unavailable to a boxing establishment marketing one-off fights.

“Zuffa [Boxing] built the playbook for appointment programming that gives brands a consistent platform to activate against and reach a growing fanbase. Traditional boxing, outside of a handful of annual tentpoles, has struggled to offer that same consistency and awareness, making it difficult for brands to plan around,” Nick Kelly (CEO, Encore Sports & Entertainment) said.

The promotion has already signed several year-round partnerships, including deals with MGM Resorts, Kalshi and Anduril.

Gate receipts have been modest thus far outside of Canelo-Crawford (see: $47mm in gate receipts), though that is largely because Zuffa Boxing has prioritized efficiency out of the gate. Most of its cards have been staged at the Meta Apex in Las Vegas, which accommodates just ~1,000 fans.

The events it has done on the road have performed well. Zuffa Boxing sold out Dublin’s 3Arena, the Bournemouth International Centre in England, and The Chelsea at The Cosmopolitan of Las Vegas.

Zuffa Boxing intends to move more cards into larger venues as the matchups and markets justify it, which will create greater opportunities across ticketing and hospitality. Garcia–Benn is on pace to sell out T-Mobile Arena this weekend.

And greater attendance translates into increased merchandise sales too. The promotion set boxing merch sales records at the Infosys Theater at Madison Square Garden on July 26 and 3Arena on Aug. 8.

The record-setting results reflect Zuffa Boxing’s emphasis on creating higher-quality products and elevating its in-venue retail presentation (see: contrast between the Zuffa Boxing/Sela setup at Crawford–Canelo and Canelo’s own operation). The former sold more than $4mm in merchandise that night. The latter is believed to have generated less than 10% of that total.

Zuffa Boxing has also been able to leverage established relationships with the UFC and WWE’s consumer-product partners to introduce new collectibles and licensed goods to boxing fans (see: Topps trading cards).

We're taking "some of those big innovations we've done across [TKO properties] or other leagues and bringing [them] to boxing fans in a way that feels authentic and natural," Kain said.

Garcia–Benn is not going to determine whether Zuffa can bring the sport back to the mainstream. But it should provide the clearest indication yet of whether TKO’s promotional capabilities can turn a premium matchup into a broader cultural event. 

The next test will be whether the promotion can convert the increased attention into a repeatable audience.

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